Clint Eastwood has forged a remarkable career as a movie star, director, producer and composer. These newly discovered conversations with legendary journalist Paul Nelson return us to a point when, still acting in other people's films, Eastwood was honing his directorial craft on a series of inexpensive films that he brought in under budget and ahead of schedule. Operating largely beneath the critical radar, he made his movies swiftly and inexpensively.
Few of his critics then could have predicted that Eastwood the actor and director would ever be taken as seriously as he is today. But Paul Nelson did. The interviews were conducted from through Eastwood talks openly and without illusions about his early career as an actor, old Hollywood, and his formative years as a director, his influence and what he learned along the way as an actor-lessons that helped him become the director he is today.
100 Years of Tourism in San Francisco
Conversations with Clint provides a fresh and vivid perspective on the life and work of this most American of movie icons. The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis.
Critical Race Theory, instead, designates a much deeper reflection on the constitutive role of race in the legal, social, and aesthetic formations of US culture, including the cinema, where Bamboozled provides endless examples for discussion and analysis.
Cronenberg on Cronenberg charts Cronenberg's development from maker of inexpensive 'exploitation' cinema to internationally renowned director of million-dollar movies, and reveals the concerns and obsessions which continue to dominate his increasingly rich and complex work. This edition brings Cronenberg's work up-to-date with an additional chapter on Crash.
Crossover Stardom: Popular Male Stars in American Cinema focuses on male music stars who have attempted to achieve film stardom. Crossover stardom can describe stars who cross from one medium to another. Lobalzo Wright begins with Bing Crosby, a significant Hollywood star in the studio era; moving to Elvis Presley in the s and s, as the studio system collapsed; to Kris Kristofferson in the New Hollywood period of the s; and ending with Will Smith and Justin Timberlake, in the contemporary era, when corporate conglomerates dominate Hollywood.
Thus, the study not only explores music stardom and music genres in various eras, and masculinity within these periods, it also surveys the history of American cinema from industrial and cultural perspectives, from the s to today. Fandom, Adaptation and Identity. Cult Film as a Guide to Life investigates the world and experience of cult films, from well-loved classics to the worst movies ever made. Including comprehensive studies of cult phenomena such as trash films, exploitation versions, cult adaptations, and case studies of movies as different as Showgirls, Room and The Lord of the G-Strings, this lively, provocative and original book shows why cult films may just be the perfect guide to making sense of the contemporary world.
Using his expertise in two fields, I. Hunter also explores the important overlap between cult film and adaptation studies. The book's emergent theme is cult film as lived experience. With reference mostly to American cinema, Hunter explores how cultists, with their powerful emotional investment in films, care for them over time and across numerous intertexts in relationships of memory, nostalgia and anticipation.
Memory, Conflict, and Identity in the Margins of Europe. Starting with the cinema of the s, when the island became a republic, the collection focuses on the recent decades of filmmakers exploring issues of conflict, memory, identity, nationalism, migration and gender, as well as the work of filmmakers who chose to cooperate across the ethnic divide. While the volume develops a discussion based on the reading of the political in Cypriot films, it also looks at other film cultures and debates such as s exploitation films and transnational cinema. Creating Wonder.
Boyle's best work is often the result of a tight budget and near impossible working conditions; this book is the perfect primer for the impoverished director with lofty dreams. This is a hard look at the filmmaking process as a collaborative experience focused by the relentless energy and enthusiasm of one of his generation's most powerful directors. Whether on the set of the wind soaked Trainspotting , where Ewan McGregor was launched into the spotlight, or in the back streets of Mumbai, in Slumdog Millionaire , or in the depths of outer space in Sunshine , Boyle is unafraid to experiment with every mutant genre.
Alfred Hitchcock and the cinema grew up together. He entered the film industry in , and by , he had directed his first feature-length film, The Pleasure Garden. His subsequent film career paralleled the phenomenal growth of the film industry during the years —, the year of his last film.
A Reconsideration of the Films of Steven Spielberg. While there has been a significant outpouring of scholarship on Steven Spielberg over the past decade, his films are still frequently discussed as being paternalistic, escapist, and reliant on uncomplicated emotions and complicated special effects. Even those who view his work favorably often see it as essentially optimistic, reassuring, and conservative.
Jadranka Skorin-Kapov deploys her background in philosophy and math to analyze an American filmmaker with an individual voice, working on both independent productions and big-budget Hollywood films. Skorin-Kapov discusses his ability to visually present challenging intersections between art and philosophy. The reactions evoked by images of and stories about Brad Pitt are many and wide-ranging: while one person might swoon or exclaim, another rolls his eyes or groans. Trauma and Memory in Israeli Cinema. In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or striving to offer a more complete and accurate depiction of the past, Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention.
Tracing a long line of films from the s up to the s, the contributors use close readings of these films not only to reconstruct the past, but also to actively engage with it. Addressing both high-profile and lesser known fiction and non-fiction Israeli films, Deeper than Oblivion underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma.
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By looking at recent and classic examples of Israeli films that turn to memory and trauma, this book addresses the pressing issues and disputes in the field today. The Film Concepts. It will be invaluable for students and teachers of Film, Media and Philosophy. The Spectre of Impossibility. From the early days of occupation political censorship to the social and cultural freedoms of the s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema.
Each chapter begins by focusing upon one or more of three key Deleuzian themes — image, history and thought — before going on to look at a selection of films from to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics — Godzilla , Akira and Tetsuo ; contemporary genre flicks — Ring , Dead or Alive and Casshern ; the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.
A History of Disney Feature Animation. Putting the Drama in front of the Camera. In his memoir Fragments , Andre de Toth took his readers on a roller coaster ride through his life. He gave scant mention to his film work. In De Toth on De Toth , he redresses the balance and expounds — in his own exuberant style — on his film-making career. De Toth speaks of his work on Lawrence of Arabia and on Superman , as well as revealing how a one-eyed director could make the 3-D masterpiece House of Wax.
With contributions from international scholars from a variety of fields, the essays in this collection cover individual films and the recurring themes and motifs in several films, such as representations of class and gender, and overt social commentary and political subtexts. In this indispensable guide to digital film-making, leading film-maker Mike Figgis offers the reader a step-by-step tutorial in how to use digital technology so as to get the best from it. Mike Figgis, with experience from films such as Miss Julie and Leaving Las Vegas — for which he received two Oscar nominations — is an authoritative and insightful guide through the details of film-making.
He outlines the equipment and its uses, and provides an authoritative guide to the shooting process - from working with actors to lighting, framing, and camera movement. He further dispenses wisdom on the editing process and the use of sound and music, all the while establishing a sound aesthetic basis for the digital format. This handbook is essential whether your goal is to make no-budget movies, or simply to put your video camera to more use than just holidays and weddings.
Poetics of the Contemporary Hollywood Blockbuster. Although the blockbuster is the most popular and commercially successful type of filmmaking, it has yet to be studied seriously from a formalist standpoint.
This is in opposition to classical Hollywood cinema and International Art cinema, whose form has been analyzed and deconstructed in great detail. Directed By Steven Spielberg fills this gap by examining the distinctive form of the blockbuster. But how did Spielberg attain this position? The book demonstrates the aesthetic options available to Spielberg, and particularly the choices he makes in structuring his blockbusters.
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Directed By Steven Spielberg combines film studies scholarship with the approach taken by many filmmaking manuals. The unique value of the book lies in its grounding of formal film analysis in filmmaking. Poems and Prose.